Great Movies
MZS
30 Minutes on "The Post"
Underrated in the manner of so many Steven Spielberg historical dramas, “The Post” is a journalism thriller that doubles as a stealth portrait of the media’s responsibility in the age of Trump.
Matt Zoller Seitz is the Editor at Large of RogerEbert.com. He is also the TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and television has appeared in The New York Times, Salon.com, The New Republic and Sight and Sound. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine, and the co-founder and original editor of Press Play, an IndieWire blog of film and TV criticism and video essays.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include Mad Men Carousel: The Complete Critical Companion, The Oliver Stone Experience, and TV (The Book). He is currently working on a novel, a children's film, and a book about the history of horror, co-authored with RogerEbert.com contributor Simon Abrams.
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Underrated in the manner of so many Steven Spielberg historical dramas, “The Post” is a journalism thriller that doubles as a stealth portrait of the media’s responsibility in the age of Trump.
From a childhood of pain, a lifetime of art.
When I was a college student in Dallas in the 1980s, my favorite theater was the Big Town, which showed second-run movies for a dollar. It was located in a small, run-down mall that probably hadn’t been thriving for 10 years. By the…
Appreciating the art of one of the greatest documentary filmmakers.
RogerEbert.com contributor Godfrey Cheshire talks about his new book Conversations with Kiarostami, a collection of his interviews with the legendary Iranian director.
Dashing or menacing, depending on the role, Rutger Hauer was a one-of-a-kind screen presence.
A nightmare movie ruled by nightmare logic, and gorgeous from start to finish.
Go ahead and scream. No one can hear you.
Clint Eastwood faces the one enemy Clint Eastwood can't beat.
Is it paint-by-numbers if a virtuoso holds the brush?
