Our eighth video dispatch from Cannes 2023 features Chaz Ebert's report on this year's prize-winners.
Justine Triet's French courtroom drama won the top prize in Cannes on Saturday night.
The latest on Blu-ray and streaming, including Cocaine Bear, Creed III, Champions, 80 for Brady, and Criterion editions of Thelma & Louise and Wings of Desire.
A collection of reviews that our writers thought of when considering Roger Ebert's belief that film is an empathy machine.
An interview with Ethan Hawke, director of the new HBO docuseries The Last Movie Stars, about Paul Newman and Joanne Woodward.
A feature on some of the best representations of female friendship in movie history.
A look at the staying power of Alan J. Pakula's The Parallax View and the age of conspiracies.
A tribute to John Saxon, the Stella Adler-trained character actor who always stood out in a crowd.
A correspondent offers her advice on stuff to binge during the quarantine.
On a series of PBS specials on the struggles for women to earn the right to vote.
An article about three IndieCollect restorations—"F.T.A.", "Nationtime-Gary" and "The Story of a Three-Day Pass"—having their world premiere at this weekend's HFPA Restoration Summit.
The latest on Blu-ray and streaming, including Alita: Battle Angel, Missing Link, Transit, Fast Color, Shazam, Ash is Purest White, and a Criterion edition of Do the Right Thing.
An interview with Alex Thompson and Kelly O'Sullivan, director and writer/star, respectively, of the CCFF-opening Saint Frances.
They were very different in tone, genre, production values, and intended audiences, but these two films from 1994 had one key innovation in common.
Matt writes: For the second year in a row, I had the great privilege of representing RogerEbert.com in the Oscar press room, providing coverage of the 91st Academy Awards from my perch backstage, where all the winners of the night came to answer questions and thank everyone they forgot onstage (or couldn't mention due to the limited time). You can read my full report here, including my interactions with such talents as Alfonso Cuarón, as well as Nick Allen's report of the telecast itself.