A tribute to Sergio Mims from members of the Chicago Film Critics Association and writers of RogerEbert.com.
The latest monthly column on new streaming and Blu-ray releases includes Elvis, Thor: Love & Thunder, and Criterion releases of Blow Out, Exotica and Sound of Metal.
An article celebrating Odie Henderson as a contributing film critic at RogerEbert.com for eleven years.
A reprint of Great Movies essay on Saturday Night Fever, with an introduction from Eric Pierson.
An article about the entertainment production firm Buffalo 8 celebrating its tenth anniversary.
Reviews of six recent Quibi shows and a look at the platform overall.
Veronica Cartwright on "The Field"; Musso & Frank turns 100, Silent films' universally accessible power; 'Mrs. Maisel' actresses battle restraints on women; In defense of "The Fanatic."
Matt writes: Labor Day weekend has kicked off the official start of awards season, with film festivals in Venice and Telluride currently underway and Toronto following close behind on September 5th. Go to RogerEbert.com over the next couple weeks for our daily dispatches, beginning with Glenn Kenny's coverage of the Venice Film Festival, including his enticing preview and review of Roman Polanski's latest film, "J'Accuse."
While the gun barrel sequences in James Bond films have not changed a great deal visually, one element that has evolved constantly is the music.
Matt writes: In our first Ebert Club newsletter of 2019, I am joining my publisher Chaz Ebert, editors Brian Tallerico and Matt Zoller Seitz, and fellow assistant editors Nick Allen and Nell Minow in wishing you a Happy New Year!
A look back at some of our favorite conversations from the past year, with both stars and filmmakers.
Matt writes: In celebration of Roger Ebert's 76th birthday on June 18th, Chaz Ebert shared a video of her late husband's extraordinary speech, which he delivered on April 4th, 1994. The speech was broadcast as part of Colorado Public Television's "11th Hour" series, a program dedicated to recording the words of wisdom left by distinguished individuals for future generations.
Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t responsible for the achievement of their films.
Great Movies
