A feature on the major question in each of the big categories after what we learned from TIFF, Venice, and Telluride.
An interview with David Grann about the book Killers of the Flower Moon, now adapted into a film by Martin Scorsese.
Martin Scorsese's Oklahoma-set crime saga has a gratifying density and complexity.
A feature on the subject matter and research done while making Martin Scorsese's new film, which is rumored to premiere at Cannes in two months.
An article summarizing Roger Ebert's reviews of the films directed by Oscar-winner Sam Mendes, who will be the 2022 recipient of the TIFF Ebert Director Award.
The final Blu-ray guide of the year highlights 10 special edition and 4K releases, everything from The Wolf of Wall Street to Phantom of the Mall: Eric's Revenge.
A preview of the movies that skipped the fall festivals that could still win the next Best Picture Oscar.
The third installment of Chaz Ebert's Happy Place column recounts her experience of returning to the movie theater during the pandemic after a five-month absence.
On the tenth anniversary of one of the best films of the 2010s, now opening in 70MM.
Chaz Ebert's fifth video dispatch from Cannes 2019, featuring her interactions with Werner Herzog, Quentin Tarantino and more.
Far Flung Correspondent Gerardo Valero reviews Martin Scorsese's "The Irishman."
I have come to appreciate silence not as a sign of weakness or capitulation, but as a finely sharpened dagger that finds its way to the heart, every time.
Great Movies
