A tribute to one of the best cinematographers of all time.
A look at the iconic imagery of Rob Marshall's Chicago, Josef von Sternberg's Morocco, and Bob Fosse's Cabaret.
Izzy, the creator of Be Kind Rewind; Lockdown Puppet Theater; Tribute to Ennio Morricone; In praise of "Bloody Nose, Empty Pockets"; Legacy of John Lewis.
The latest on Blu-ray and streaming, including The Assistant, Bad Boys for Life, and Criterion editions of The Grand Budapest Hotel and Destry Rides Again.
The latest on streaming and Blu-ray, including Crawl, Annabelle Comes Home, Midsommar, and a great Criterion box set of Von Sternberg films.
Matt writes: I just returned from covering the 53rd Karlovy Vary International Film Festival in the Czech Republic, where I saw some excellent films, and got the chance to meet many extraordinary people. The full table of contents contains links to my conversations with Terry Gilliam, Richard Linklater, Barry Levinson, Caleb Landry Jones, Anna Paquin, Stephen Moyer, Denis O'Hare and "Leave No Trace" star Thomasin Harcourt McKenzie. You will also find reviews of such unmissable titles as "Cold War," "Putin's Witnesses," "Girl," "Winter Flies," "Crystal Swan," "Museum," "Moments" and more.
The RogerEbert.com picks for the ten best films of 2017.
Notes on "Killer of Sheep"; YouTube creators vs. copyright rules; Unsung pioneers of film editing; Phillip J. Bartell on "Miss You Already"; Martin Baron on "Spotlight."
An article on Madeline Kahn in light of the release of a new book about her.
Welles and "Lady from Shanghai"; David Chase on David Lynch; Memories of "Follow That Bird"; Ranking Schwarzenegger's Movies; Robert Barnett on "Tears of God."
Marie writes: Ever intrepid, club member Sandy Kahn has submitted an intriguing quartet of finds involving a series of Hollywood auctions set to begin at the end of July 2013. Sandy has shared similar things in the past and as before, club members are invited to freely explore the wide variety of collectibles & memorabilia being auctioned LIVE by "Profiles in History". Note: founded in 1985 by Joseph Maddalena, Profiles in History is the nation’s leading dealer in guaranteed-authentic original historical autographs, letters, documents, vintage signed photographs and manuscripts.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
Marie writes: many simply know her as the girl with the black helmet. Mary Louise Brooks (1906 - 1985), aka Louise Brooks, an American dancer, model, showgirl and silent film actress famous for her bobbed haircut and sex appeal. To cinefiles, she's best remembered for her three starring roles in Pandora's Box (1929) and Diary of a Lost Girl (1929) directed by G. W. Pabst, and Prix de Beauté (1930) by Augusto Genina. She starred in 17 silent films (many lost) and later authored a memoir, Lulu in Hollywood."She regards us from the screen as if the screen were not there; she casts away the artifice of film and invites us to play with her." - Roger, from his review of the silent classic Pandor's Box.
Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels. Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour! (click image to enlarge.)
"I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." - from LIFE ITSELF
(click image to enlarge)
Marie writes: this past Monday, the Chicago Sun Times updated "Movable Type" - a program used to create blogs. Roger's journal for example. Other newspapers might use "Word Press" instead; same idea though. Any-hoo, it's hosted on the "new" server at the Sun-Times and as is customary, you have to login to use it. It's online software. Meaning you're totally at the mercy of any freakiness that might be going on.I mention this because there was indeed some weirdness earlier (server choked) and that, plus the fact Movable Type does things differently now, put me behind schedule. So I don't really have anything for the front page. I can go look, though! Meanwhile, just continue reading and if I find anything interesting, I'll let you know....Ooo, clams...
Marlene Dietrich was born on December 27th, 1901."The most intriguing woman I've ever known." - John Wayne
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Roger Ebert / April 23, 1995
For the centennial of cinema, 100 great moments from the movies:
Clark Gable in "Gone With the Wind":
"Frankly, my dear, I don't give a damn."
Buster Keaton standing perfectly still while the wall of a house falls over upon him; he is saved by being exactly placed for an open window.
Charlie Chaplin being recognized by the little blind girl in "City Lights."
The computer Hal 9000 reading lips, in "2001: a Space Odyssey."
The singing of "La Marseillaise" in "Casablanca."
Snow White kissing Dopey Bashful on the head.
John Wayne putting the reins in his mouth in "True Grit" and galloping across the mountain meadow, weapons in both hands.
Jimmy Stewart in "Vertigo," approaching Kim Novak across the room, realizing she embodies all of his obsessions - better than he knows.
The early film experiment proving that horses do sometimes have all four hoofs off the ground.
Gene Kelly singin' in the rain.
Samuel L. Jackson and John Travolta discuss what they call Quarter Pounders in France, in "Pulp Fiction."
The Man in the Moon getting a cannon shell in his eye, in the Melies film "A Voyage to the Moon."
Pauline in peril, tied to the railroad tracks.
A boy running joyously to greet his returning father, in "Sounder."
Harold Lloyd hanging from a clock face in "Safety Last."
Orson Welles smiling enigmatically in the doorway in "The Third Man."
An angel looking down sadly over Berlin, in Wim Wenders' "Wings of Desire."
The Zapruder film of the Kennedy assassination: Over and over again, a moment frozen in time.
A homesick North African, sadly telling a hooker that what he really wants is not sex but couscous, in Rainer Werner Fassbinder's "Fear Eats the Soul: Ali."
Wile E. Coyote, suspended in air.
Zero Mostel throwing a cup of cold coffee at the hysterical Gene Wilder in Mel Brooks' "The Producers," and Wilder screaming: "I'm still hysterical! Plus, now I'm wet!"
An old man all alone in his home, faced with the death of his wife and the indifference of his children, in Yasujiro Ozu's "Tokyo Story."
"Smoking." Robert Mitchum's response, holding up his cigarette, when Kirk Douglas offers him a smoke in "Out of the Past."
Marcello Mastroianni and Anita Ekberg wading in the fountain in "La Dolce Vita."
The moment in Akira Kurosawa's "High and Low" when a millionaire discovers that it was not his son who was kidnapped, but his chauffeur's son - and then the eyes of the two fathers meet.
The distant sight of people appearing over the horizon at the end of "Schindler's List."
R2D2 and C3PO in "Star Wars."
E.T. and friend riding their bicycle across the face of the moon.
Marlon Brando's screaming "Stella!" in "A Streetcar Named Desire."
Hannibal Lecter smiling at Clarise in "The Silence of the Lambs."
"Wait a minute! Wait a minute! You ain't heard nothin' yet!" The first words heard in the first talkie, "The Jazz Singer," said by Al Jolson.
Jack Nicholson trying to order a chicken salad sandwich in "Five Easy Pieces."
"Nobody's perfect": Joe E. Brown's last line in "Some Like It Hot," explaining to Tony Curtis why he plans to marry Jack Lemmon even though he is a man.
"Rosebud."
The shooting party in Renoir's "Rules of the Game."
The haunted eyes of Antoine Doinel, Truffaut's autobiographical hero, in the freeze frame that ends "The 400 Blows."
Jean-Paul Belmondo flipping a cigarette into his mouth in Godard's "Breathless."
The casting of the great iron bell in Andrei Tarkovsky's "Andrei Rublev."
"What have you done to its eyes?" Dialogue by Mia Farrow in "Rosemary's Baby."
Moses parting the Red Sea in "The Ten Commandments."
An old man found dead in a child's swing, his mission completed, at the end of Kurosawa's "Ikiru."
The haunted eyes of the actress Maria Falconetti in Dreyer's "The Passion of Joan of Arc."
The children watching the train pass by in Ray's "Pather Panchali."
The baby carriage bouncing down the steps in Eisenstein's "Battleship Potemkin."
"Are you lookin' at me?" Robert De Niro in "Taxi Driver."
"My father made them an offer they couldn't refuse:" Al Pacino in "The Godfather."
The mysterious body in the photographs in Antonioni's "Blow-Up."
"One word, Benjamin: plastics." From "The Graduate."
A man dying in the desert in von Stroheim's "Greed."
Eva Marie Saint clinging to Cary Grant's hand on Mt. Rushmore in "North by Northwest."
Astaire and Rogers dancing.
"There ain't no sanity clause!" Chico to Groucho in "A Night at the Opera."
"They call me Mr. Tibbs." Sidney Poitier in Norman Jewison's "In the Heat of the Night."
The sadness of the separated lovers in Jean Vigo's "L'Atalante."
The vast expanse of desert, and then tiny figures appearing, in "Lawrence of Arabia."
Jack Nicholson on the back of the motorcycle, wearing a football helmet, in "Easy Rider."
The geometrical choreography of the Busby Berkeley girls.
The peacock spreading its tail feathers in the snow, in Fellini's "Amarcord."
Robert Mitchum in "Night of the Hunter," with "LOVE" tattooed on the knuckles of one hand, and "HATE" on the other.
Joan Baez singing "Joe Hill" in "Woodstock."
Robert De Niro's transformation from sleek boxer to paunchy nightclub owner in "Raging Bull."
Bette Davis: "Fasten your seat belts; it's gonna be a bumpy night!" in "All About Eve."
"That spider is as big as a Buick!" Woody Allen in "Annie Hall."
The chariot race in "Ben-Hur."
Barbara Harris singing "It Don't Worry Me" to calm a panicked crowd in Robert Altman's "Nashville."
The game of Russian roulette in "The Deer Hunter."
Chase scenes: "The French Connection," "Bullitt," "Raiders of the Lost Ark," "Diva."
The shadow of the bottle hidden in the light fixture, in "The Lost Weekend."
"I coulda been a contender." Brando in "On the Waterfront."
George C. Scott's speech about the enemy in "Patton:" "We're going to go through him like crap through a goose."
Rocky Balboa running up the steps and pumping his hand into the air, with all of Philadelphia at his feet.
Debra Winger saying goodbye to her children in "Terms of Endearment."
The montage of the kissing scenes in "Cinema Paradiso."
The dinner guests who find they somehow cannot leave, in Bunuel's "The Exterminating Angel."
A knight plays chess with Death, in Bergman's "The Seventh Seal."
The savage zeal of the Klansmen in Griffith's "The Birth of a Nation."
The problem of the door that won't stay closed, in Jacques Tati's "Mr. Hulot's Holiday."
"I'm still big! It's the pictures that got small!" Gloria Swanson in "Sunset Boulevard."
"We're a long way from Kansas!" Judy Garland in "The Wizard of Oz."
An overhead shot beginning with an entrance hall, and ending with a closeup of a key in Ingrid Bergman's hand, in Hitchcock's "Notorious."
"There ain't much meat on her, but what's there is choice." Spencer Tracy about Katharine Hepburn in "Pat and Mike."
The day's outing of the mental patients in "One Flew Over the Cuckoo's Nest."
"I always look well when I'm near death." Greta Garbo to Robert Taylor in "Camille."
"It took more than one night to change my name to Shanghai Lily." Marlene Dietrich in "Shanghai Express."
"I'm walkin' here!" Dustin Hoffman in "Midnight Cowboy."
W.C. Fields flinching as a prop man hurls handfuls of fake snow into his face in "The Fatal Glass of Beer."
"The next time you got nothin' to do, and lots of time to do it, come up and see me." Mae West in "My Little Chickadee."
"Top o' the world, Ma!" James Cagney in "White Heat."
Richard Burton exploding when Elizabeth Taylor reveals their "secret" in "Who's Afraid of Virginia Woolf?"
Henry Fonda getting his hair cut in "My Darling Clementine."
"Badges? We ain't got no badges. We don't need no badges. I don't have to show you any stinkin' badges!" Alfonso Bedoya to Humphrey Bogart in "The Treasure of the Sierra Madre."
"There's your dog. Your dog's dead. But there had to be something that made it move. Doesn't there?" Line from Errol Morris' "Gates of Heaven."
"Don't touch the suit!" Burt Lancaster in "Atlantic City."
Gena Rowlands arrives at John Cassavetes' house with a taxicab full of adopted animals, in "Love Streams."
"I want to live again. I want to live again. I want to live again. Please God, let me live again." Jimmy Stewart to the angel in "It's a Wonderful Life."
Burt Lancaster and Deborah Kerr embrace on the beach in "From Here to Eternity."
Mookie throws the trash can through the window of Sal's Pizzeria, in "Do the Right Thing."
"I love the smell of napalm in the morning," dialogue by Robert Duvall, in "Apocalypse Now."
"Nature, Mr. Allnut, is what we are put in this world to rise above." Katharine Hepburn to Humphrey Bogart in "The African Queen."
"Mother of mercy. Is this the end of Rico?" Edward G. Robinson in "Little Caesar."
☑ Click to expand. Comments are open.
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After the devastating news of Sally Menke's death last week, I read some moving and heartfelt tributes to her... and yet, some of them didn't seem to understand what an editor actually does, or what made Menke's work in particular so remarkable.
I suppose just about anybody could string together a rough assembly of a movie. All you have to do is follow the script and put things in the right order, as Sir Edwin, the great Shakespearean actor played by John Cleese, said of words in a play: "Old Peter Hall used to say to me, 'They're all there Eddie, now we've got to get them in the right order.'"
The reviews of "Salt," re-teaming Angelina Jolie with director Phillip Noyce, fell into two distinct camps: those that treated it as an action/espionage thriller, and those that saw it as something rarer: an old-fashioned star vehicle. Of course it's both, but (as I said in my second paragraph) I think it's even more fascinating as an examination and appreciation of Jolie's persona, on- and off-screen.
Kathleen Murphy observed that Noyce "has turned 'Salt' into a movie about being a movie star, about gorgeous Angelina Jolie dressing up and down, working up a sweat, displaying her exotic self for our voyeuristic pleasure...."
Great Movies
