Great Movies
TV/Streaming
Home Entertainment Guide: June 2023
A guide to the latest and greatest on Blu-ray and streaming, including Evil Dead Rise, Avatar: The Way of Water, John Wick: Chapter 4, and a 4K release of The Rules of the Game.
A guide to the latest and greatest on Blu-ray and streaming, including Evil Dead Rise, Avatar: The Way of Water, John Wick: Chapter 4, and a 4K release of The Rules of the Game.
A look at three Resident Evil films, centering on 2012's Resident Evil: Retribution.
The RE staff on some of their favorite performances of 2018.
A closer look at the emotional truth behind Olivia, the Westie from Widows.
Matt writes: It's immensely poignant that in the same year the Marvel Expanded Universe celebrated its tenth anniversary with the release of its twentieth feature, "Ant-Man and the Wasp" (on the heels of "Black Panther" and "Avengers: Infinity War," no less), superhero maestro Stan Lee passed away at age 95. His death brings a new level of meaning to the aching loss that pervades the finale of "Infinity War," though Lee got the last laugh with his hilarious cameo in the "Ant-Man" sequel, which brought down the house at the preview screening I attended. In addition to reading Peter Sobczynski's tribute to Lee, make sure to read Roger Ebert's four-star review of the film that kicked off the MCU: Jon Favreau's "Iron Man."
The vitality of "The Hate U Give" and "Widows"; Identifying as a witch; Farewell Filmstruck; Revisiting "The Halloween Tree"; A disservice to Freddie Mercury.
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
On two world premieres from two Oscar nominees, Barry Jenkins and Steve McQueen. They also happen to be two of the best films of 2018.
Salma Hayek on Harvey Weinstein; Facebook silencing women; Museum of Endangered Sounds; Andrew Droz Palermo's "One & Two"; Appreciation of "S.W.A.T."
Writers at RogerEbert.com pick their favorite cinematic remedies to elevate their moods.
Marie writes: Behold an ivy covered house in Düsseldorf, Germany and the power of plants to transform stone, brick and mortar into a hotel for millions of spiders. To view an amazing collection of such images and showcasing a variety of buildings from around the world, visit The Most Colorful Houses Engulfed in Vegetation at io9.com.
Marie writes: Behold a truly rare sight. London in 1924 in color. "The Open Road" was shot by an early British pioneer of film named Claude Friese-Greene and who made a series of travelogues using the colour process his father William (a noted cinematographer) had been experimenting with. The travelogues were taken between 1924 and 1926 on a motor journey between Land's End and John O'Groats. You can find more footage from The Open Road at The British Film Institute's YouTube channel for the film. You can also explore their Archives collection over here.
Marie writes: If I have a favorite festival, it's SXSW and which is actually a convergence of film, music and emerging technologies. However it's the festival's penchant for screening "quirky" Indie movies which really sets my heart pounding and in anticipation of seeing the next Wes Anderson or Charlie Kaufman. So from now until March, I'll be tracking down the best with the zeal of a Jack Russell terrier! Especially since learning that Joss Whedon's modern B/W take on Shakespeare's "Much Ado About Nothing" is set to screen at SXSW 2013 in advance of its June 21st US release date; they'll cut an official trailer soon, rubbing hands together!
The Ebert Club Newsletter is 1 year old!
The Grand Poobah writes: Here's a behind the scenes lookinside our control room! This is where the magic happens.
This is a special free sample of the Newsletter members receive weekly. It contains content gathered from several past issues and reflects the diversity of what you'll find inside the Ebert Club. For Roger's invitation to the Club, go HERE.
"There is a stubbornness about me that can never bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me." - Jane Austen, Pride and Prejudice
Edited by Marie Haws, Club SecretaryFrom Roger Ebert: Club members receive the complete weekly Newsletter. These are abridged and made public on the site three weeks later. To receive the new editions when they're published, annual dues are $5. Join here.From The Grand Poobah: Reader Steinbolt1 writes in: "Mark Mayerson has been putting together mosaics of all the scenes from specific Disney animated films, and is currently working through Dumbo. Each scene has the specific animator(s) who worked on the film listed above it. This is my favorite post on Dumbo, so far: Mayerson on Animation: Dumbo Part 5 "The only humans we've seen previously are in sequence 3. They are all white and wearing uniforms that clearly mark them as circus employees. When we get to this sequence, the only humans we see are black. As they are disembarking from a railroad car, we know that they are also employees, but they don't get uniforms. The roustabouts are the ones who do the heavy lifting, regardless of the weather. Why aren't the rest of the employees helping? I guess the work is beneath them. Let's not forget that the circus wintered in Florida, at the time a Jim Crow state." - Mark Mayerson; animator, writer, producer, director, Canadian.
The Grand Poobah writes: "be there or be square...."(click to enlarge)
Tony Curtis and Janet Leigh at a Charity party in 1957 with Frank Sinatra and his then-wife, Ava Gardner. (click to enlarge) Marie writes: the best celebrity photos are invariably candid shots. :-)
From The Grand Poobah: Reader Steinbolt1 writes in: "Mark Mayerson has been putting together mosaics of all the scenes from specific Disney animated films, and is currently working through Dumbo. Each scene has the specific animator(s) who worked on the film listed above it. This is my favorite post on Dumbo, so far:
Mayserson on Animation: Dumbo Part 5"The only humans we've seen previously are in sequence 3. They are all white and wearing uniforms that clearly mark them as circus employees. When we get to this sequence, the only humans we see are black. As they are disembarking from a railroad car, we know that they are also employees, but they don't get uniforms. The roustabouts are the ones who do the heavy lifting, regardless of the weather. Why aren't the rest of the employees helping? I guess the work is beneath them. Let's not forget that the circus wintered in Florida, at the time a Jim Crow state." - Mark Mayerson; an animator, writer, producer, director and Canadian. :-)
