Matt writes: The 2018 Cannes Film Festival is in full swing, and RogerEbert.com publisher Chaz Ebert is there to cover all the highlights. Check our site's official Cannes page where you will find all the coverage penned by Barbara Scharres, Ben Kenigsberg and Lisa Nesselson, as well as video dispatches from Chaz. Embedded below is her first from this year, which provides a breakdown of the jury as well as various enticing selections from filmmakers such as Asghar Farhadi, Spike Lee and Jean-Luc Godard.
A look back at how this summer's best offering, Netflix's "Stranger Things," makes the failure of this season's blockbusters even more difficult to ignore.
Christine Swanson on "The Miki Howard Story"; Who's afraid of female Ghostbusters; Trump is wrong on Muslims; Remembering Anton Yelchin; How "Silicon Valley" nails Silicon Valley.
The new "Ghostbusters" film brings a battle between distorted nostalgia and the power of a child's imagination.
Matt writes: Hello, Ebert Club subscribers! I'm Matt Fagerholm, Assistant Editor at RogerEbert.com, and I'll be taking over the Ebert Club newsletter. My inimitable predecessor, Sheila O'Malley, has gotten me up to speed on what you'll be expecting from this membership, and I'm very excited to provide you with a sneak peek at some of the most enticing titles in both current and classic cinema.
The latest and greatest on Blu-ray and streaming services, including "Brooklyn," "Freaks and Geeks," "Concussion," "The Bicycle Thieves," and more!
Highlights of our 2015 interviews, including Brie Larson, Bryan Cranston, Jason Segel, Lexi Alexander, Sarah Silverman, Spike Lee, Tom McCarthy, Ramin Bahrani, Paul Feig, Charlie Kaufman and much more.
A recap of the latest and greatest on Blu-ray, including Jurassic World, Spy, Tomorrowland, Call Me Lucky, and The Larry Fessenden Collection.
An interview with "Green Street Hooligans" and "Punisher: War Zone" director Lexi Alexander.
An overview of the films that will be theatrically released in the 2015 fall season.
The importance of engaging in all aspects of film analysis, even the -isms, and even in summer blockbusters.